Produced by Bristol sound co-founder Geoff Barrow, this scabrous if slight first film turns a sceptical eye on 90s rave culture. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Duel
The film begins uncertainly, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Nevertheless, a darkly funny standoff unfolds – David desperate to escape; the Poacher denying his container of scrumpy, determined to soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is reminiscent of Michael Smiley.
Visual Flair and Music Video Sensibility
Just a single important plot development, but it results in a comically executed chaotic run on the forest trails that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the early stages, he now lets rip with the full lysergic grand display, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film releases in British and Irish cinemas from 17 November.
